Science Museum Group Journal Issue 6

Science Museum Group Journal Issue 6

Issue 06 of the Journal presents readers with several new research articles. Ian Hutchings presents a refutation of a number of early twentieth century working model interpretations of Leonardo da Vinci drawings; Dr Jaume Sastre-Juan analyses changing perceptions of European industrial museums as expressed in reports by the curators, directors and trustees of the New York Museum of Science and Industry in the 1920s and 1930s; while Claire Kennard focuses on a single object – Shizuo Ishiguro’s storm surge prediction machine – soon to appear in the Science Museum’s new maths gallery. We also include a thought-provoking text from Dr Jane Gregory on the importance of applying existing technologies to address global issues, as well as a review of the recent John Dee exhibition at The Royal College of Physicians.
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    Item type:Journal article,
    Pilgrimages to the museums of the new age: appropriating European industrial museums in New York City (1927–1937)
    (2016-11-16)
    Sastre-Juan, Jaume
    How did industrial museums cross the Atlantic? When the first American museums of science and industry were created in the 1920s, they looked to Europe in order to import what was seen at that time as a burgeoning cultural institution. In this article, I look at this process of appropriation through an analysis of the changing perceptions of European industrial museums as expressed in the reports, surveys and books written by the curators, directors and trustees of the New York Museum of Science and Industry. I will pay particular attention to the 1927 film Museums of the New Age, documenting the main national industrial museums in Europe, and to a 1937 report on the techniques of display at the Palais de la Découverte. I will argue that their contrasting assessment of European industrial museums, which in only ten years ceased to be seen as cathedrals of a new age to become old-fashioned storehouses, is symptomatic of the significant transformation of museums of science and industry as cultural institutions during the 1930s in the United States.